1883-1941 Pavel Filonov Locations Russian painter, graphic artist and poet. He came from a working-class background; orphaned in childhood, he moved to St Petersburg, where he earned money through embroidery, house painting, restoring buildings and icons, and other tasks such as retouching photographs and making posters and wrappers for goods (a practical apprenticeship he never forgot). His interest in drawing and painting developed through copying, making portraits and the close study of human and animal anatomy. He entered the Academy of Arts, St Petersburg (1908) with difficulty but he left without graduating; his only important teacher was L. E. Dmitriyev-Kavkazsky (1849-1916), with whom he studied privately. Largely self-taught, he was a man of considerable intellectual powers.  Related Paintings of Pavel Filonov :. | The Major-s Marrlage Proposal | German War | Portrait of E. N. Glebova | A Peasant Family | Animals |
Related Artists:
Claude Joseph Vernet
Claude-Joseph Vernet (14 August 1714 - 3 December 1789) was a French painter. His son, Antoine Charles Horace Vernet, was also a painter. Vernet was born in Avignon. When only fourteen years of age he aided his father, Antoine Vernet (1689-1753),[1] a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet started for Rome. The sight of the sea at Marseilles and his voyage thence to Civitavecchia (Papal States' main port on the Tyrrhenian Sea) made a deep impression on him, and immediately after his arrival he entered the studio of a marine painter, Bernardino Fergioni. Slowly Vernet attracted notice in the artistic milieu of Rome. With a certain conventionality in design, proper to his day, he allied the results of constant and honest observation of natural effects of atmosphere, which he rendered with unusual pictorial art. Perhaps no painter of landscapes or sea-pieces has ever made the human figure so completely a part of the scene depicted or so important a factor in his design. In this respect he was heavily influenced by Giovanni Paolo Panini, whom he probably met and worked with in Rome. Vernet's work draws on natural themes, but in a way that is neither sentimental or emotive. The overall effect of his style is wholly decorative.[2] "Others may know better", he said, with just pride, "how to paint the sky, the earth, the ocean; no one knows better than I how to paint a picture". His style remained relatively static throughout his life. His works' attentiveness to atmospheric effects is combined with a sense of harmony that is reminiscent of Claude Lorrain.
Victor Meirelles
Victor Meirelles de Lima (August 18, 1832 -February 22, 1903) was a 19th century painter. He studied art in Paris but painted most of his works in and about his native Brazil. His religious and military paintings helped him become one of the most popular and celebrated Brazilian painters. His The first Mass in Brazil was the first Brazilian painting to be accepted in the Salons of Paris and is one of the most well known paintings in his native country, being reproduced in every book of History for elementary schools.
hersent
(March 10, 1777 C October 2, 1860) was a French painter. Portrait of Sophie Crouzet, by Louis HersentBorn in Paris, he became a pupil of David, and obtained the Prix de Rome in 1797. In the Salon of 1802 appeared his "Metamorphosis of Narcissus," and he continued to exhibit with rare interruptions up to 1831. His most considerable works under the empire were "Achilles parting from Brisis," and "Atala dying in the arms of Chactas" (both engraved in Landon's Annales du Musee);